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This text reflects a two folded dialogue: The central part of it is an actual dialogue between Carla Bobadilla and Rolando Vázquez about the possibilities and limits of decolonising. It was produced in the wake of a multifaceted decolonial event which took place on April 26 and 27, 2019 at the Tanzquartier in Vienna, including, on one hand, the dance and performance project “The Jaguar and the Snake” by Amanda Piña, Lina María Veneers and Juan Carlos Palma together with nadaproductions1. On the other hand, this event comprised a conversation within the series of the so called “Jaguar Talks” on questions of decolonising the senses, indigenous contemporaneity, and resistance, in which Rolando Vázquez, among others, took part. The editors of this special issue asked Carla and Rolando if they would be interested in talking about the topics that were brought up during the event and about their work, in which the role of decolonisation in arts, the university, museums, and the practices of the future takes an important place.
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